This is definitely my favorite track so far. His flow is really dope on this first verse too. There are some uncredited ad-libs from Desiigner in the background, and they’re pretty annoying, but it’s not that big of a deal.
I usually don’t call songs that I don’t like “trash,” but this shit right here… It sounds like they recorded a robot getting waterboarded. Okay, this is one of the worst songs I’ve heard in a really long time. Her voice is nowhere near as annoying as theirs. She sounds more threatening than Meek and Uzi. It’s kinda weird to me that Nicki has the deepest voice on this track. What the fuck am I listening to right now? Why is this beat so shitty? There’s not a single thing I like about this track. This song is really, really, really fucking bad. Okay, this is easily the wackest song on the tape so far. The melody itself isn’t good in the first place. Even if his voice wasn’t as annoying as it is, it would still sound terrible. Uzi’s singing as soon as the track starts, and it’s absolutely fucking unbearable. Yeah, I remember my friends playing this bullshit ass garbage in their car. Oh God… I think I’ve heard this shit before… Jesus fucking Christ. I don’t think this song is that bad objectively, but personally I find this track really boring. Nothing he’s saying is particularly interesting, and I’m honestly not really feelin’ this beat that much either. It’s a pretty standard topic for Hip Hop. He’s rapping about how much harder his life used to be before he became rich and famous. I guess this is supposed to be a more personal track from Meek. I know the whole yelling thing is an integral feature of Meek Mill’s style, and part of his appeal, but I don’t think it really fits very well over this jazzy, grandiose, piano driven production. This is an alright song, but I personally won’t be coming back to it. The hook was kinda cool at first, but it got old real quick, especially after Tory’s verse, which didn’t sound any different from the hook. The only thing I really liked about it was the production, but nothing else really stood out for the right reasons.
I think it’s probably my favorite track so far, but I’m still not really crazy about it. Shawty fucking for Chanel / I ain’t tripping that’s a coconut. Oh my God… That coconut line from Meek was so fucking stupid. It’s not bad, but I’m just bored of it now. I’m so tired of his robotic voice that I don’t even like this hook that much anymore. Niggas talking ’bout my hair line / I laugh about it, I be feelin’ them / See, we both be making M’s / They be making memes, I be making millions. I’m not really sure how I feel about him defending his catastrophic hairline. If he was just rapping that’d be cool, but he’s singing with a LOT of autotune. I don’t know why I only expected him to do the hook. It’s also kinda hard to take him seriously when he’s saying “litty.” Oh shit he actually has a verse. Although he does kinda just sound like Travi$ Scott with a higher voice since there’s so much goddamn autotune on his voice. The first verse from Meek was nothing special, but I really like this hook from Tory.
He’s using that triplet flow that’s been popularized by the Migos in recent years. I shouldn’t judge this song by its title.
…Litty? Does… Is that… What? “LITTY?” Are you fucking shitting me? Smh… Did some rich white Valley girl help him come up with the song titles for this project? That’s so fucking corny. If it came on the radio I wouldn’t be in a rush to change whatever station it was on, but I’m not gonna go out of my way to hear it again. I definitely enjoyed it more than the previous track, but I don’t think I’d ever have the desire to play this shit again. I really don’t know how I feel about this one. The first verse wasn’t too exciting lyrically, but his flow wasn’t bad. The way the beat switches up as soon as the first verse starts is really dope. I don’t think this is terrible, but uh… It’s pretty wack to me. His flow was kinda cool on the second verse, but nah… This isn’t really doin’ much for me. The lyrics are very generic, which is to be expected I guess. I don’t like Meek’s flow on this first verse either. I don’t have a problem with the decision to sample O Fortuna, but the way it’s flipped just sounds kinda disjointed to me. This motherfucker really rapped over O Fortuna.
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